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- It's Nice That
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- Janice Chang
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- 28 January 2025
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Clear communication: the silent architect of good design
Behind every successful design project is a foundation of clear communication. Missteps can derail even the best ideas, but with a few key strategies, designers can keep their work on track and relationships strong
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Communication: the backbone of good design
Designers are often hailed as visual storytellers, but their success often hinges on something far less visible: clear communication. Think back to anything you’ve created – whether a sleek interface, a simple print campaign, or a stunning rebrand – it probably involved a whirlwind of email chains, calls, meetings, and feedback loops. Designers, clients, production teams, and collaborators all had to stay in sync to bring the project to life because, as artist David Shrigley aptly put it, Weak Messages Create Bad Situations – and nobody wants to sit through a project review that feels like everyone was working to a different brief.
So, how do the best in the industry communicate clearly, even when words aren’t their primary medium? You’re about to find out! We’ll dive into how designers from top studios like New Studio and Studio Yukiko approach the complexities of communication. Plus, we’ll gather practical tips from Rachel Worthman and Ashley Furrell Keenan at Grammarly, where smooth communication is both a science and an art. Because, as we’ll see, even the smallest miscommunication can lead to a whole lot of unnecessary chaos.
Lessons from Studio Yukiko: navigating cross-cultural collaboration
Design is rarely a solo endeavour. It’s a team sport, and often, it’s played on a global field. For Michelle Phillips and Johannes Conrad, co-founders of Berlin’s Studio Yukiko, communication is both the glue and the challenge. Their magazine Flaneur explores one street per issue, each in a different city, which means they collaborate with a new cast of local designers, writers, and artists each time. And with that comes the fun (and chaos) of navigating language barriers and cultural differences.
“When you’re working with people who speak different languages, things can get lost in translation,” says Michelle. “Even simple instructions can be misinterpreted.” Johannes jumps in with a story: “We had a brief that was clear in English, but when translated, ‘minimal’ became much more elaborate. In that culture, minimal meant something very different!” These moments highlight the subtle complexities of cross-cultural communication, where even the most straightforward directives can take on new meanings.
To avoid these kinds of mishaps, Studio Yukiko has mastered the art of over-communication. “We always leave space for questions and clarifications,” Michelle explains. “It’s better to have more discussions upfront than deal with last-minute surprises.” The team sets clear objectives early on, ensuring everyone is aligned with the vision. “We respect the vision of our collaborators and give them space to work independently,” she adds, “but building in time for deeper conversations helps keep everyone on track.”
Their advice? Be patient, ask more questions than you think you need to, and never assume everyone is on the same page. Misunderstandings will happen, but with open dialogue and a willingness to clarify, they’ve turned what could be roadblocks into creative opportunities.
“Assume good intent.”
Rachel Worthman, Grammarly
New Studio: managing remote teams with clarity
For Axel Peemoeller and Rita Matos, co-founders of New Studio, communication isn’t just important, it’s their studio’s lifeblood. Based between the U.S. and Portugal, their team relies almost entirely on written communication to manage projects across time zones. Axel admits that being a remote studio presents unique challenges: “You lose out on spontaneous conversations. You have to be very intentional about making sure everyone’s on the same page.”
Rita adds, “We learned early on that clear and concise communication was non-negotiable. If the systems aren’t in place, things unravel quickly.” For them, success is all about setting up the right infrastructure: weekly check-ins, feedback loops, and a shared commitment to clarity. It’s not just about what you say, but how you say it.
New Studio’s biggest lesson? Build a communication framework that works for everyone. “We’ve had misunderstandings where a simple typo changed the entire direction of a project,” Axel recalls. “Clear writing and regular check-ins prevent those issues from escalating.”
Healthy disagreement: the foundation of good communication
At Grammarly, “healthy disagreement” is a core principle – because, let’s be honest, disagreements are inevitable in any creative process. For Rachel Worthman, product designer at Grammarly, the trick is not avoiding disagreement but learning how to navigate it productively. On her first day at the company, she was given a key piece of advice: “Assume good intent.” It’s a simple but powerful shift in mindset that helps build trust and makes it easier to have the kind of tough conversations that lead to better work.
“Healthy disagreement requires effective communication,” Rachel explains. “It can be daunting to push back, especially if you’re someone who avoids conflict. But it’s necessary for growth.” Over time, she’s learned how to ask clarifying questions, keep conversations objective, and maintain respect and kindness. It’s about cultivating an environment where disagreement isn’t feared but welcomed as part of the creative process.
Her colleague, Ashley Furrell Keenan, senior design programme manager at Grammarly, echoes that sentiment. She believes the key to effective communication is acknowledging that “everyone will understand your message differently” and adjusting your delivery accordingly. Her rule of thumb? “Tell them what you’re going to tell them, tell them, then tell them what you told them.” Clear, straightforward repetition helps ensure that nothing gets lost in translation, especially in remote or written communication.
Everyone’s favourite psychotherapist, Esther Perel, has taken what she’s learned in couples therapy and applied it to the world of work, because as much as we all mask to a certain degree in the workplace, our old emotional issues and hang-ups play out in the relationship dynamics with our colleagues, creative partners or clients.
In one of her articles, Perel quotes Dr. Howard Markman, who identifies three hidden dimensions beneath most relationship impasses: power and control (who has influence and decision-making power, who wants it, what tension is this imbalance creating); care and closeness (does this person have my back, are they coming from a good place?); and respect and recognition (integrity and value – is this person treating me well and honouring my contribution?). In any work-related conflict, Perel encourages us to explore which of these dynamics are at play and acknowledge our own role in the tension. Her advice? Start with what you agree on. Stay humble, remain curious, and instead of assuming you know the whole story, ask yourself: What am I not asking?
“Be creative with how you communicate – video calls, visual references, even sound effects if necessary.”
Axel Peemoeller, New Studio
The cost of miscommunication: ill communication leads to chaos
No one escapes the occasional communication fail. Even the best designers have stories of projects going completely off the rails due to misunderstandings. For Axel at New Studio, these moments often come down to small but critical errors. “We’ve had colour palettes change from ‘cool blues’ to ‘coal black’ because of a typo,” he laughs, a lighthearted reminder of how easily things can spiral out of control.
But it’s not just about catching typos. Miscommunication in design is often emotional. Design, by its nature, is subjective, and trying to explain something as abstract as a mood or concept is never simple. Axel notes, “Sometimes it’s more a feeling than a formula. I might think I’ve explained something perfectly, but the other person interprets it differently. You have to be flexible and creative with how you communicate – video calls, visual references, even sound effects if necessary.”
When things go wrong, their approach is simple: take a step back and reassess. Clear up any confusion by revisiting the original brief, asking clarifying questions, and reopening the lines of communication. “We are all human, and misunderstandings happen; that’s fine. It’s always a learning curve about ourselves and each other.” The goal isn’t to point fingers but to get everyone back on track as smoothly as possible.
“It’s better to have more discussions upfront than deal with last-minute surprises.”
Michelle Phillips, Studio Yukiko
Design and conquer: communication tips to keep things on track
So, we know that communication is key to good design, but what about some extracurricular guidance for those tricky areas of the job? We’ve gone deeper on some practical advice to help you get more from a crit, stay calm in a presentation, deliver a productive workshop, and field a myriad of feedback like a pro.
1. Crit happens: how to make the most of feedback
Scenario:
It’s crit time. You’re either leading your team through ways to improve or iterate their work, or you’re looking to your boss for guidance. But rather than asking the standard open-ended questions like – What do you think of this? How could this be better? Are there questions or ways to communicate that allow you to get more out of these sessions? Of course, there are! Here, Johannes Conrad of Studio Yukiko gives some pearls of wisdom…
Communication tips:
For the juniors:
Rather than asking your peers to essentially solve the problem for you - e.g. what colour or typeface should I use? First, dive into the why behind your creative decisions so that you understand why something looks or feels right/wrong to you; then, you can be more intentional and test out your choices against your colleagues by asking:
- Does this align with the message and tone we want to communicate?
- How does this design choice contribute to the overall user experience or project goals?
- What feeling or reaction does this evoke, and is it the one we’re aiming for?
- Are there any underlying assumptions influencing this choice, and are they justified?
- How does this decision fit into the broader context of the brand or campaign?
This is a much better way of understanding the bigger picture and the overall tonality of your work than getting hung up on small details too early on.
For the directors:
Guiding younger creatives requires balancing structure with room for exploration. One effective approach is to frame questions that help them step back and view their work from new angles, like, “How would you explain this concept to someone unfamiliar with the subject?” or “Does this align with the project’s main aims?”.
It’s also good to help them break down larger projects into smaller steps, as it can be overwhelming when there are a lot of elements to consider or too much creative freedom. We also find it helpful to discuss practical considerations, like time and resource limitations, early in the process, as this encourages them to refine their ideas within real-world constraints. Helping them focus on storytelling within the parameters of the project leads to stronger, more thoughtful results.
2. Pitch perfect: elevating your creative presentations
Scenario:
You’re leading a pitch or presenting new work to a client, but you’re nervous. How do you get your audience on board? Why does your tongue feel so big in your mouth? What are the pitfalls to avoid? And what are the key markers of a successful pitch presentation? Axel Peemoeller of New Studio has some thoughts.
Communication tips:
- BLEURGH: At the start of any presentation, you will get a surge of nerves as your body gets off to the races. Acknowledging these nerves when they arrive and letting the natural surge pass rather than dreading it or worrying it will take over your whole body is a helpful way to approach performance anxiety. Clients want to like what you’ve created; it makes their lives easier, so breathe from your stomach, drink water, and speak slowly.
- How are you?: It’s also good to remember that clients are human, too. Before you get into the presentation, try to connect and get good at meaningful small talk to break down barriers. This back-and-forth will also alleviate nerves and deepen your relationship, which will help you understand their needs and where they’re coming from.
- You have to buy it yourself: To give a good presentation you have to be 100% convinced that what you’ve created is amazing and you stand behind your ideas.
- Let ideas grow: Push for your ideas, but don’t be too rigid. Allow the client to build on your ideas and understand that they can have good insights, too. Everybody always wants to play a part, so be mindful and open to how you can incorporate their ideas/suggestions.
- Don’t get defensive: Designers are so passionate about our work, and it hurts if it is misunderstood or not liked. The worst that can happen is we fall into defence mode. Stay calm and relaxed but confident. Listen to the client's concerns and ideas. Don't react in the moment by pushing back or overreacting. Say things like "We'll have to look at this," "We'll do more explorations," or "I will have to get back to you on this" to give yourself more time to reflect.
- Stay loose: Being too emotionally attached to the work can mean you oversell or over-explain as you fight to convince the client. Be confident, but stay loose.
3. Workshops that work: keeping creative sessions on track
Scenario:
You’ve gathered the team for a brainstorming session, but it’s becoming disorganised. There are no snacks, people look confused or, worse, bored, and no clear direction is emerging. Half the team feels their ideas aren’t being heard and the other half are dominating the conversation. Frustrating right? Here’s how to keep things on track with guidance from Drew Valencia Yan, senior design program manager at Grammarly.
Communication tips:
- Remember why you’re there: Your role as a facilitator is to foster an inclusive, positive space for meaningful, productive discussions. This means actively guiding the group through the discussions and remaining neutral. Your main focus should be managing people’s energy and ensuring everyone has a voice.
- Make space for everyone: As a facilitator, I ensure everyone has a voice by sequencing the discussion, actively listening, asking clarifying questions, and managing time so we reach an outcome.
- Time out: To allow full participation, we make time for people to work alone. For example, in our design crits, we always do a five-minute silent crit where people can add comments in Figma before any discussion occurs. This helps people stay focused and not get distracted from an active discussion. It also maximises the feedback a designer gets and allows everyone to participate.
- Creative block: When this happens, it’s always helpful to help the team zoom out and see the bigger picture. Why are we designing this in the first place? What is the core problem we’re trying to solve? When all else fails, take a break, go for a walk, and come back fresh.
- Outcomes: All outcomes must have clear owners, action items, and deadlines. Otherwise, it can lead to confusion and more meetings, which nobody wants!
4. Feedback face-off: winning strategies for managing stakeholder input
Scenario:
You’re on a project with so many stakeholders you feel dizzy, and to make matters worse, they’re all giving conflicting feedback—leaving you unsure which direction to take. Help?! Don’t worry; Ashley Furnell Keenan, design programme manager at Grammarly, is a dab hand at navigating this quagmire and has some tips:
Communication tips:
- From the yop: Devise a project brief and share it with the full team. This is your bible and should include an outline of the main objective, the overall project vision, success metrics, tech and user requirements (if it’s a product), timeline and deadlines, stakeholders and roles, and the approval process. This means everyone understands and has agreed on how the project will flow.
- North star: As well as this brief, it’s always helpful to devise a group of principles for the project or initiative to help keep a North star on the decisions. This makes it easy to bring conversations and decisions back to the team's overriding goal.
- Red flags: Feedback from any stakeholders should always be actionable. If it's vague, push back and ask for more clarification. Feedback should always factor in turnaround time, and if it doesn’t take into consideration the constraints of the project, I’d also see this as a red flag and point it out immediately so that expectations are managed.
- Conflict: Sometimes, team members have different opinions, and the two don’t always align. In this situation, I’d advise going directly to the decision-maker to avoid any back-and-forth or refer back to the client or customer needs and check whether the feedback drives that mission.
- Remain neutral: The key to conflict resolution or balancing feedback is to stick to the facts. Look at what you all agreed on in the beginning, remain calm, and scream into your pillow when you get home.
“Tell them what you’re going to tell them, tell them, then tell them what you told them.”
Ashley Furrell Keenan, Grammarly
Conclusion: creating a culture of communication
Whether it’s across cultures, remote teams, or creative disagreements, the key to successful design lies in clear communication. It’s not glamorous, but it’s the glue that holds everything together. Studio Yukiko, New Studio, and the team at Grammarly know that the best ideas are only as good as the communication behind them.
Here’s what we’ve learned from the pros:
- Clarity is king: Whether it’s an email, a brief, or feedback, make sure your message is clear. Avoid vagueness at all costs – it’s the easiest way to cause confusion.
- Check-in regularly: Communication isn’t a one-time thing. Regularly check in to make sure everyone is still aligned.
- Don’t fear disagreement: Healthy disagreements can lead to better ideas. Trust and respect are the foundations of productive conflict.
- Build the right systems: Tools like Grammarly and regular feedback loops ensure everyone stays on the same page and avoids miscommunication.
Good communication transforms design from chaos to clarity. It turns great ideas into great work and keeps teams aligned through the messiness of the creative process. Miscommunication will happen, but with the right tools, systems, and mindset, it doesn’t have to derail your work. Prioritise clear, thoughtful communication and you’ll see how it transforms not just your projects but your creative relationships too.
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All illustrations: Janice Chang for It's Nice That (Copyright © It's Nice That)
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