Typography

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Slide Tackle Font from Los Crises follows in the footsteps of red card kings

Meet Paul&Thomas, the playfully precise studio built on a chance encounter

Anthony Burrill, An Chen, Fieldwork Facility: Tickets now available for September’s Nicer Tuesdays!

Ciaran Birch on crafting custom wordmarks and harbouring a “half-baked” bank of typefaces

Up the Seagulls! Alfie Wheatley turns Brighton & Hove Albion’s 2024/25 season into a series of typographic experiments

Wheelin’ and Dealin’: Studio Joe’s identity for Peckham Carboot emulates price stickers and hand-written signs

Collins rebrand for Muse Group channels the invisible phenomena of experiencing music

How Gilberto Gil united the best in Brazilian design

The letterforms for this Mallorcan bar’s logo were scavenged from secondhand bookshops and stationary stores

Designer Gabrielle Adam is finding inspiration in everything cheesy, kitsch and fun

Inclusive Sans expands upon Penguin’s history with playfulness and curiosity

Wim bakery’s branding takes tips from floury work benches and croissant folds

Tüpokompanii’s approach to type design centres on misreadings, mistakes and meaningful disruptions

Tausend by Fontwerk is a new grotesque with a thousand ideas behind it

How do you create an identity that’s queer-forward without turning to common clichés? Base Design shares its wisdom

Spreeeng is the graphic design cooperative rethinking design’s dogmatic structures

“What surrounds a brand shapes how it speaks”: designer Laura Beulens on the delicate art of building a visual identity

Metals is the design and direction studio shaking up music industry visuals

Fifty shades of typeface, a London dominatrix gets her own brand identity

Geometric mischief: Elya Akateva’s posters prove how much you can do with the default